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Genre - Thriller Canada Nikolaj Coster-Waldau 6,8 / 10 Stars 1 h 33M Director - Robin Pront
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What Kind 'THE SILENCING'…. A serial killer is hunting teen girls in the deep Minnesota woods. Sound familiar? It falls to Nikolaj Coster-Waldau (Jamie Lannister on Game of Thrones) to bring down the culprit. To be fair, the Danish actor goes the extra mile in The Silencing (on VOD starting August 14th), which is more than you can say for the pedestrian work of director Robin Pront and screenwriter Micah Ranum. Coster-Waldau’s character, an alcoholic hunter named Rayburn Swanson, has been trying to track the whereabouts of his daughter, Gwen, who went missing five years ago when she was just 14. Rayburn had left her in his truck while he freshened his booze supply. Guilt is eating at him, though it’s clear he’d been drinking heavily before her disappearance. Why? That kind of character detail goes frustratingly unexamined. Even though a chastened Rayburn has stopped trapping game to run a wildlife preserve (Gwen hated his animal cruelty), his love of liquor continues unabated. Maybe that’s because his ex-wife is now pregnant by another man and wants Rayburn to sign a death certificate for their child, so they can achieve closure with a funeral. He resists, refusing to give up hope, and outfits his cabin with high-tech surveillance equipment. Living with his dog Thor, this hunter stays vigilant in case the killer strikes again. It’s only a matter of time. No sooner is the dead body of a young woman found with her voice box slashed (the silencing! ) than Rayburn’s security cameras show someone in full ghillie suit camo, chasing another screaming girl. Our hero takes off in hot pursuit, yet his rifle proves no match for the killer’s weapon of choice: an “Atlati, ” a spear that can deliver speeds of 100 mph. That’s more than enough to slow down Rayburn until he can cauterize the wound in his shoulder, Rambo style, and get back on the killer’s trail. He’s not alone. There’s a new Sheriff in the town of Echo Falls. She’s Alice Gustafson (Annabelle Wallis) and she feels this is her case, not Rayburn’s. She also has a personal connection to the crimes. Her troubled brother, Brooks, played by a brooding Hero Fiennes Tiffin (nephew of Ralph and Joseph Fiennes) has been found at the scene and looks like the prime suspect. Guilt is eating away at Alice since she abandoned Brooks after the death of their parents to start a police career in Chicago. That left the boy in the care of unseen scary people. ”What did they do to you in that barn? ” asks Alice, as if afraid to hear the answer. No worries. As usual, the script tells us nothing. In fact, The Silencing fills its 97 meandering minutes with false leads that grow ever more frustrating. Coster-Waldau and Wallis, so good in Peaky Blinders, do their best to promote a rooting interest in characters the script never bothers to develop. Though the film generates some tension in the cat-and-mouse game that Rayburn plays inside and outside the law, the final reveal seems to come out of nowhere. You can see this kind of slow-burn thriller done much better in movies like Wind River and shows like HBO’s True Detective. Even in these pandemic times, when we all hunger for escapism, this long journey to a lame ending hardly fills the bill.
Watch the silencing 2020 online free full episodes without downloading site. Watch the silencing 2020 online free full episodes without downloading download. Watch the silencing 2020 online free full episodes without downloading free. Film The first half of the latest film from Belgian-born director Robin Pront, The Silencing, is quite good, due largely to the fact that it feels like the beginning, middle and end of a very short crime thriller. The story opens with the discovery of a young woman’s body that we’ve seen travel downstream a great distance in the woods. There’s a distinct arrowhead lodged in her chest cavity, and it’s becoming clear to local authorities, led by Sheriff Gustafson (Annabelle Wallis of the Annabelle movies, no relation), that they may have a serial killer in their midst who hunts these young women in the woods using a type of arrow-delivery weapon that is more a spear than a bow. Image courtesy of Saban Flms The killer’s next victim is discovered by Rayburn (Nikolaj Coster-Waldau, “Game of Thrones”), a reformed hunter who now runs an animal sanctuary and whose own teen daughter went missing five years earlier. That incident led to the end of his marriage to Debbie (Melanie Scrofano), who is still around and dating Native American lawman Blackhawk (Zahn McClarnon, who gave such a memorable performance in Doctor Sleep). The relationship between the small local sheriff’s department and the tribal authorities is one of the more interesting pieces to this mystery, as jurisdiction becomes a question from time to time, especially when it comes to Gustafson’s troublemaker brother (Hero Fiennes Tiffin), who tends to cross those boundaries whenever he feels like it. Rayburn attempts to protect the would-be victim, Molly (Charlotte Lindsay Marron), by bringing her to his isolated cabin right when the sheriff decides to pay him a visit about another matter. Things get heated and confusing, and Gustafson ends up shooting Rayburn in the process just as the real killer delivers what may be the fatal blow to his intended target, Molly. In the middle of this relatively short feature, it appears the identity of the killer is established, and he is caught soon after, so the film begins to feel as if it’s winding down. It’s more than simply a false ending that often accompanies these types of red herrings in whodunnit stories. The Silencing actually feels like it’s about to end, until it becomes clear that the wrong suspect has been captured. Sadly, the rest of the story doesn’t live up to the promise of the curious first part, and the more obvious aspects of the location and characters come together in more predictable and obvious ways. Rayburn is a man trapped in his own head, grieving and wondering about his daughter’s disappearance. His divorce is on the verge of being finalized, and when he finds Molly in the woods, it releases something in him that feels like a purpose. He gave up hunting because his daughter didn’t like his brutal (and quite effective) methods, but he’s able to pull from this skill set when he sets his sights on capturing the real killer. Working from a screenplay by Micah Ranum, director Pront keeps his dreary-looking plot moving briskly, with just enough mildly predictable twists to keep audiences engaged. It seems every major character in The Silencing is some degree of broken, with the events of this film only making their issues worse. It makes for solid interpersonal drama, but not when it comes to populating something a bit more intriguing like a murder mystery. More importantly, when we do finally learn who the hunter-killer really is (and we know it’s someone in the town that we’ve met, because he wears a full camo hunting outfit that covers his face and makes his entire body look like shrubbery), it’s impossible for us to know the killer’s motivation for murdering young women until the moment he tells us. The reveal is so anticlimactic that I doubt you’ll care much when the truth is exposed. A final showdown between Rayburn and the killer seems pointless—there are few things less visually interesting than two characters running around the foggy woods looking for each other. The Silencing concludes with a fizzle more than the required jolt, and while Coster-Waldau and Wallis are quite good here, they can’t make better parts of this film that simply aren’t strong to begin with. It’s a noble effort, and I’m curious to see what the filmmaker does next, but this one is skippable. The film is available OnDemand. Did you enjoy this post? Please consider supporting Third Coast Review’s arts and culture coverage by becoming a patron. Choose the amount that works best for you, and know how much we appreciate your support!
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Watch {The Silencing} movie 1080p download Found on the website The. Watch the silencing 2020 online free full episodes without downloading online. Critics Consensus No consensus yet. 16% TOMATOMETER Total Count: 19 89% Audience Score Verified Ratings: 19 The Silencing Ratings & Reviews Explanation Show all services Other Movies The Silencing Videos Photos Movie Info A reformed hunter (Nikolaj Coster-Waldau) and a sheriff (Annabelle Wallis) are caught in a deadly game of cat and mouse when they set out to track a killer who may have kidnapped the hunter's daughter five years ago. Rating: R (for violence, some disturbing images, and language) Genre: Mystery & Suspense Directed By: Written By: In Theaters: Aug 14, 2020 limited On Disc/Streaming: Jul 16, 2020 Runtime: 97 minutes Studio: Saban Films Cast Critic Reviews for The Silencing Audience Reviews for The Silencing The Silencing Quotes Movie & TV guides.
Story involves people taking the law into their own hands. Viewers can discuss ideas of where the line is when it comes to law and justice. Should authorities always have the final word? Who decides what's right and what's wrong? Positive Role Models & Representations Rayburn does some pretty awful things, but in final moments seems to want to fully reform. He gives up drinking, makes other positive changes, having learned lessons from his mistakes. In general, characters are interestingly flawed. Underlying tension between White and Native American characters. Young women/teen girls are kidnapped, murdered. A girl is gagged, tied up. Women are being hunted; dead woman shown. Gaping neck wound. Guns and shooting; a character is shot. Ancient Native American spears and arrows are shown/used; characters are stabbed. Blood spurts. A character stitches his own wound. A character fights with a "monster, " punching, smashing. Character with bruised, bloody face. "Pitfall, " where animals are trapped and killed, is shown. A character falls into the pitfall; bloody face, gurgling noises. Character steps on bear trap (off-screen); viewers hear a snap and screaming. A newspaper story tells how a child was locked up in a barn by abusive foster parents. Threat with scalpel. Stuffed, dead animals. Scantily clad pole dancer in a bar. Mentions of prostitution, "paying for sex. " Frequent language includes uses of "f--k, " "s--t, " "a--hole, " "goddamn, " "son of a bitch, " "whore, " "stupid, " "take a leak, " plus "Jesus Christ" as an exclamation. Middle-finger gestures. Drinking, Drugs & Smoking Main character is addicted to alcohol. He drinks throughout (beer, whiskey, etc. ) and appears intoxicated in front of a class of children. A flashback reveals how stopping at a liquor store resulted in his daughter being kidnapped. In the end, he empties and throws away his bottles, changes his ways. Other characters drink beers.
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“A goddamn tree hugger” is what one red-bearded would-be poacher calls Rayburn Swanson after getting kicked off the wildlife sanctuary the not-quite-grizzled sort-of warden looks after. Said sanctuary is named for Rayburn’s daughter, who disappeared five years prior, only in her teens, and for whom Rayburn is still printing and posting mission persons fliers. It’s perhaps emblematic of how much Belgian director Robin Pront understands life in the United States that a wildlife sanctuary would be named after a missing local citizen after only five years, but then again, the screenwriter, Micah Ranum, seems to be from these parts. Rayburn is played by the Danish actor Nikolaj Coster-Waldau, here giving off strong beardo Aaron Eckhart vibes. You will not be surprised to learn that the bereft former hunter—he gave up killing animals for looking after them due to his daughter’s disapproval—drinks too much. Nor may you be surprised to learn that his surrounding area also has a Tribal Police Force, and that the non-tribal police force is headed by a Compassionate Female Cop, Alice, played by Annabelle Wallis. And you’ll never guess this, but she has a dirtbag druggy younger brother who she looks out for maybe a little too caringly, played by Hero Fiennes Tiffin. When a dead body turns up, suspicions arise that a serial killer is loose, and that killer might have gotten Rayburn’s girl years ago. So far, so predictable; add in dialogue like, “Out here that badge don’t mean shit, lady, ” and you start wondering if this movie’s going to put ANYTHING new on the table. I mean, Pront shoots and stages all this stuff with slick facility, and the Dane and the two English actors really put their back into playing gruff rural ‘Muricans, or maybe Canadians (things never come off as all that specific), but one does feel one’s seen all this before. Well, “The Silencing” does indeed put something new on the table, a killer dressed in a costume that looks like an overgrown Muppet, or maybe that Easter mascot from “ Toni Erdmann. ” It’s big and it’s furry and it must be hard to get around in, or I guess it would be hard to get around in if the movie adhered to real-life physics, because whoever is inside this particular costume has no problem running like hell or executing tricky knife maneuvers. Another new thing it does is make Alice so thoroughly unethical that it’s impossible to maintain a rooting interest in her, even though the movie insists you ought to. Nowadays it seems when European filmmakers want to make pictures in North America, it’s always some gritty backwoods blood-drenched drama or thriller. Same with young actors like the Fiennes fella wanting to play black-eyed scruffy snotty miscreants. Is this some wayward pursuit of a kind of authenticity? Because what it is, ultimately, no matter how much competence is brought to bear to such exercises, is tiresome. To paraphrase Waylon Jennings, Are You Sure Lubitsch Done It This Way? Those unconcerned with such production details might find this a credible way to kill an hour and thirty minutes, on the other hand. Glenn Kenny Glenn Kenny was the chief film critic of Premiere magazine for almost half of its existence. He has written for a host of other publications and resides in Brooklyn. Read his answers to our Movie Love Questionnaire here. The Silencing (2020) Rated R for violence, some disturbing images, and language. 93 minutes about 6 hours ago about 20 hours 1 day ago.
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